I had an interesting
discussion with a friend today on the extremes of artistic endeavour on the one
end and absolute conviction on the other side.
One may be perceived as selfish while the other is selfless but at the
same time there is also an up and down side to either pursuit. Specifically, if an artist pursues their
passion to the exclusion of all else, their lives as well as others, is that
admirable? If someone has a deep seated
conviction on righting the wrongs of the world, is that admirable in and of
itself?
To my mind in a normal,
common sense world, there must be balance in all things. Is it necessary for a genius to follow their
muse to the exclusion of everyone and everything but their art? If we take some examples we seem to see a
sort of selfishness in their pursuit, people like Van Gogh, Michelangelo,
Strauss. Yet we also find people like
the Curies, pursuing science even to the point of death. For some who end up pursuing a cause, is it
because of their strong belief in the righteousness, rightness of their cause
or have they come to it by default? For
example, Terry Fox, running for a cure for cancer; Dr. Morgentaler taking up
the cause of the right to abortion or Abraham obeying God to the brink of
killing Isaac.
The purpose of the analysis
was to define whether extremes brought one closest to the brink of romantic
genius.
Perhaps a good example is to
look at the work of the three Bronte sisters.
Anne went out into the world for the longest period of time and critics
generally agree that her work shows the least signs of genius. Emily, on the other hand, was very much a
recluse and both her novel and poetry are considered genius. In the middle we have Charlotte, who produced
the largest volume of work most of which was done in relative seclusion. After her marriage she did not produce anything
of note. Can one say that Emily was the
most selfish of the three in the fact that she was incapable of facing the
outside world, was incapable of finding work and instead retreated into her
fantasy world thereby creating one of the greatest novels of all time?
We struggled with the
question of extremes and where it could take one, from a romantic
perspective. Abstract thinking at its
best.
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